Here is a blog, one of two and you can easily go from one to the other, without a name, but does have beautiful photographs of New Zealand. Unfortunately Dave has either run out of inspiration or his new job is going to mean he`s too busy to blog.
Sunday 17 November 2013
A Blog from New Zealand
Here is a blog, one of two and you can easily go from one to the other, without a name, but does have beautiful photographs of New Zealand. Unfortunately Dave has either run out of inspiration or his new job is going to mean he`s too busy to blog.
Friday 15 November 2013
Seven Hills
I`m not arty or crafty but I enjoy others who enjoy this sort of thing and write about it with illustrations:
This post was particularly good.
Does anyone else think the democratization of design has gotten a little out of hand? Or maybe I mean the ubiquitization of design. I'm all for Target and its "design for all" mantra if it means I can get cute home goods instead of the plastic, "country casual" look from my youth, always featuring the color-choice troika of dusty rose, dusty blue, and off-white. But more and more there seems to be a lot of pressure for every aspect of one's life to be ... designed.
I first noticed an ad for the new magazine Blueprint from the folks at Martha Stewart Living Omnimedia with a sense of foreboding. I should have been excited: they essentially had me in the crosshairs of their market segmentation. But the photograph of a geeky-chic model couple perched on their sleek, modern sofa screamed "focus group." It was trying much too hard. She with her bangs, indie ringer tee, and tapestry ballet flats. He with an ironic smirk, a collared shirt, and jeans, as though to say, "I am not so pretentious that I will overdress at my casual computer-industry workplace, but I am ambitious, so the quality of my casual clothes is really good." And a big framed photo of the couple's quirky pet dachshund hanging over the sofa.
I might be secretly curious about what the magazine had to offer, but I wouldn't be caught dead reading it in public.
I went back and forth for a minute when I saw it for sale at Walgreens. Then I decided I really wanted to see what Martha's staff thinks of my edgy-with-disposable-income generation, and how exactly the magazine would position itself.
Here's what Blueprint appears to think of us:
1) We have bad manners. How many "Do"s and "Don't"s does an aging hipster need? However many, it's more don'ts than dos, it seems. When you're at a party, don't cut down the hostess. Don't start thank you notes with the words "thank you." There's even an entire feature called "Behave Yourself" (don't double-dip, don't litter ...). I'm not sure whether it's meant to instruct its gentle readership or make us feel smug that we, too, recognize each heinous faux pas. Either way, it's clear that Blueprint thinks someone's in need of some etiquette training.
2) We're not interested in DIY. Wait, really? I thought this was the one admirable distinguishing characteristic of Gen Y. (Or am I Gen X? Gen XY? Somebody somehow missed my exact age group. We may have disposable income, but apparently not enough.) There's a big feature on making your own charm bracelets and necklaces ... without any info on actually making the jewelry. No diagrams of needle-nose pliers, jump rings, or clasp options. (This so completely goes against the grain of the Martha ethic, I almost wonder if that lady who walked out of the prison is an imposter.) The make-a-purse feature consists of instructions on tying a few knots in a scarf to make a sort of hobo sack. A clever idea, but one for hurried, impatient types, not someone who might be interested in investing time in a craft project.
3) We don't cook. The "entertaining" feature tells you how to buy pre-made stuff and arrange it on a table so it looks like party food.
4) We're cultural and intellectual dimwits. Blueprint suggests a list of seven hip albums to choose from when I arrange my next cocktail party, ranging from Beck to Serge Gainsbourg. It informs me that, just in case I was wondering, the expression "mano a mano" does not mean "man to man." Announcing "I'm all about ..." whatever it is you're all about is deemed "tired," but adding "-tastic" to the end of a word ("This brie is cheese-tastic!") is "inspired." Not only do I feel patronized, I feel patronized by a publication that thinks "tired" is a fresh and original heading for an In/Out list.
I would like this magazine more if it started with an assumed base-level of intelligence and personal taste on the part of its readers. Obviously someone who buys this magazine at least cares about aesthetic matters, even if they feel the need for some guidance. Perhaps the magazine truly is targeting absolute beginners, those who want to live in a West Elm catalog but don't know where to start, but even if that's the case, I can't imagine anyone would find the publication's condescending tone appealing.
Even worse than the assumption of cluelessness is the apparent assumption of laziness. The selection of features suggests that while we may care about looking like we have our lives together - care desperately, it seems - we'll be damned if we have to work for it. The overall aim of this magazine seems to be to tell its audience not how to "design" a life, but how to purchase one.
And conveniently enough, a modest but notable number of the suggested products in Blueprint's pages are made by one branch or another of Martha Stewart Living.
This post was particularly good.
Monday, June 12, 2006
Design Your Life
Does anyone else think the democratization of design has gotten a little out of hand? Or maybe I mean the ubiquitization of design. I'm all for Target and its "design for all" mantra if it means I can get cute home goods instead of the plastic, "country casual" look from my youth, always featuring the color-choice troika of dusty rose, dusty blue, and off-white. But more and more there seems to be a lot of pressure for every aspect of one's life to be ... designed.I first noticed an ad for the new magazine Blueprint from the folks at Martha Stewart Living Omnimedia with a sense of foreboding. I should have been excited: they essentially had me in the crosshairs of their market segmentation. But the photograph of a geeky-chic model couple perched on their sleek, modern sofa screamed "focus group." It was trying much too hard. She with her bangs, indie ringer tee, and tapestry ballet flats. He with an ironic smirk, a collared shirt, and jeans, as though to say, "I am not so pretentious that I will overdress at my casual computer-industry workplace, but I am ambitious, so the quality of my casual clothes is really good." And a big framed photo of the couple's quirky pet dachshund hanging over the sofa.
I might be secretly curious about what the magazine had to offer, but I wouldn't be caught dead reading it in public.
I went back and forth for a minute when I saw it for sale at Walgreens. Then I decided I really wanted to see what Martha's staff thinks of my edgy-with-disposable-income generation, and how exactly the magazine would position itself.
Here's what Blueprint appears to think of us:
1) We have bad manners. How many "Do"s and "Don't"s does an aging hipster need? However many, it's more don'ts than dos, it seems. When you're at a party, don't cut down the hostess. Don't start thank you notes with the words "thank you." There's even an entire feature called "Behave Yourself" (don't double-dip, don't litter ...). I'm not sure whether it's meant to instruct its gentle readership or make us feel smug that we, too, recognize each heinous faux pas. Either way, it's clear that Blueprint thinks someone's in need of some etiquette training.
2) We're not interested in DIY. Wait, really? I thought this was the one admirable distinguishing characteristic of Gen Y. (Or am I Gen X? Gen XY? Somebody somehow missed my exact age group. We may have disposable income, but apparently not enough.) There's a big feature on making your own charm bracelets and necklaces ... without any info on actually making the jewelry. No diagrams of needle-nose pliers, jump rings, or clasp options. (This so completely goes against the grain of the Martha ethic, I almost wonder if that lady who walked out of the prison is an imposter.) The make-a-purse feature consists of instructions on tying a few knots in a scarf to make a sort of hobo sack. A clever idea, but one for hurried, impatient types, not someone who might be interested in investing time in a craft project.
3) We don't cook. The "entertaining" feature tells you how to buy pre-made stuff and arrange it on a table so it looks like party food.
4) We're cultural and intellectual dimwits. Blueprint suggests a list of seven hip albums to choose from when I arrange my next cocktail party, ranging from Beck to Serge Gainsbourg. It informs me that, just in case I was wondering, the expression "mano a mano" does not mean "man to man." Announcing "I'm all about ..." whatever it is you're all about is deemed "tired," but adding "-tastic" to the end of a word ("This brie is cheese-tastic!") is "inspired." Not only do I feel patronized, I feel patronized by a publication that thinks "tired" is a fresh and original heading for an In/Out list.
I would like this magazine more if it started with an assumed base-level of intelligence and personal taste on the part of its readers. Obviously someone who buys this magazine at least cares about aesthetic matters, even if they feel the need for some guidance. Perhaps the magazine truly is targeting absolute beginners, those who want to live in a West Elm catalog but don't know where to start, but even if that's the case, I can't imagine anyone would find the publication's condescending tone appealing.
Even worse than the assumption of cluelessness is the apparent assumption of laziness. The selection of features suggests that while we may care about looking like we have our lives together - care desperately, it seems - we'll be damned if we have to work for it. The overall aim of this magazine seems to be to tell its audience not how to "design" a life, but how to purchase one.
And conveniently enough, a modest but notable number of the suggested products in Blueprint's pages are made by one branch or another of Martha Stewart Living.
Sunday 10 November 2013
Tobitoon Blog
For anybody who is still interested in cartoons or who used to watch cartoons as a child - who didn`t? -, this blog should have some interest.
Finding an early observation: One thing I have noticed over my lifetime is that cartoons are not quite the same. I remember the Disney cartoons and how I used to marvel at the skill of the artists and those soft flowing figures which passed frictionless into their surroundings. Cartoons changed at some point, obvious to my generation, because the characters no longer flowed like that. They became more jerky and jagged. Later cartoonists have modified these effects somewhat.
There are a stream of specialists in the cartooning industry. There are those who deal with flow, movement and continuity and those who deal with the actual outlines of the characters.
Finding an early observation: One thing I have noticed over my lifetime is that cartoons are not quite the same. I remember the Disney cartoons and how I used to marvel at the skill of the artists and those soft flowing figures which passed frictionless into their surroundings. Cartoons changed at some point, obvious to my generation, because the characters no longer flowed like that. They became more jerky and jagged. Later cartoonists have modified these effects somewhat.
There are a stream of specialists in the cartooning industry. There are those who deal with flow, movement and continuity and those who deal with the actual outlines of the characters.
From the Capital
I grabbed From the Capital for no other reason than it was well written and seemed to be saying something although I could not quite understand it. Here`s a snapshot of the post.
Like other bloggers, he starts off prolific and then seems to slow down. Is that because life catches up with these bloggers? Silly question.
Deepak writes of far away places and although there are no photographs he brings each place to life with his observations.
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